Three Metaphors for Life: Derzhavin’s Late Poetry

Three Metaphors for Life: Derzhavin’s Late Poetry

79.00

Tatiana Smoliarova
Translated by Ronald Meyer
Translated and edited by Nancy Workman

Series: Liber Primus
ISBN: 9781618115737 (hardcover)
Pages: approx. 300 pp.; 31 illus. 
Publication Date: July 2017

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The poetry of Gavrila Derzhavin is a monument to that which could be read, heard, and, most important, seen in the two centuries in which he lived. The Palladian villa he occupied, the British service placed on the table before him, the English spinning machine put to use on his estate, and even the optical devices, such as the telescope, magic lantern, and camera obscura, which populated his home: Tatiana Smoliarova restores Derzhavin’s visual environment through minute textual clues, inviting the reader to consider how such impressions informed and shaped his thinking and writing, countering the conservative, Russophile ideology he shared in his later years. In examining the poetics, aesthetics, and politics of Derzhavin’s poems written in the early nineteenth century, Three Metaphors for Life makes us see this period as a chapter in the contradictory development of Russian modernity—at once regressive and progressive, resistant to social reform, insistent on a distinctly Russian historical destiny, yet enthusiastically embracing technological and industrial innovations and exploring new ways of thinking, seeing, and feeling.  


Tatiana Smoliarova is an associate professor in the Slavic Languages and Literatures Department at the University of Toronto.


Table of Contents

Preface

In Search of a Metaphor: In Place of an Introduction

Part 1. Magic Lantern (Projection)
Chapter 1. A Text in Performance
Shadows Only
Pregnant Moments
An Attempt in the Dramatic Field

Chapter 2. Lanterns and Lanternists
Laterna Magica
Citizen Robertson
The Fantasmagoria

Part 2. Rainbow (Refraction)
Chapter 1. Unweaving the Rainbow
The Meteorological Cycle
From Allegory to . . . Allegory
Magic Made Simple or Do-It-Yourself
Addison and His Pleasures

Chapter 2. The Limits of Imitation
Apelles and His Lines
Camera Obscura
The Child of Thaumas

Part 3. Garden of Memory (Reflection)
Chapter 1. The Keys to Zvanka
Beatus, My Brother
Essay on Man
The Art of Memory
A Peculiar Vision: Approaches to the Text

Chapter 2.  Nine Views
Pleasures of the Imagination
Choral Vision
Fifteen Stanzas of Solitude

Chapter 3. The Poet’s House
The Bard Lived There
Zvanka’s Echo

Pindar, Derzhavin, and the 1920s: In Place of a Conclusion
Notes
References